Emi-disc cutting in 70's kettering
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Well hopefully this story will be seen as a bit of fun to all the record collectors out there who "lets face it" really hated emi-discs at the time though they would help me finance my ever hungry appetite for the all Nighters and the "fuel" that I needed for them. But before I continue; there might be a few people out there who don't really know what an emi-disc is,
Well I shall try to explain;
An emi-disc is "or was" basically a pirated record made of "I think" aluminium with a plastic coating which is thick enough to be grooved or etched by a rather large and magical machine which copies "or used to copy" an original recording or pressing of a record or even a reel to reel tape (this bit will become apparently important to the story later). Oh and by the way, they weighed a bloody ton, maybe that's why Tony use a van when going to his gigs, no sorry that was just a joke Tone!! They also reduced the life of your stylus by about 10 fold. Oh you do remember what a stylus was don't you ? yeah course you do!
This machine had a cutting needle on it which would gouge out a groove in the revolving disc matching exactly the original disc which was placed on the turntable next to it, thus producing a somewhat heavy but almost perfect reproduction of the said recording. The only problem was that it only lasted about 20 plays and then it became a bloody crap sound losing its clarity "of which there was not a lot of to start with". then after all this, the bloke cutting them would toss you a hand full of horrible red or white sticky backed labels "depending on what he had at the time" on which you would write the track name and artist.
Does that explain it clear enough?
Right now you know what an emi-disc is lets get on with the story. see; PICTURE BELOW
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In the early days Tony Dellar and a few of the Local DJ's used to obviously want copies of the top sounds that they didn't own due mainly to the fact that there was perhaps only one or two copies of them at the time. they couldn't pries these records out of the hands of the DJ's who had them so they had to resort to, Yes you guessed it "emi-disc" copies of these record to compete and keep us happy. Certain top DJ's had most of the only copies of the top records at that time and I suppose was glad to oblige with supplying the other DJ's with these emi-discs; but for a Fee!! Well I don't really blame them do you? |
Thought: I know the Northern soul scene was all about the rarity of the records and the labels for collectors and DJ's but! Don't you think that without some of the emi-discs we would not have been able to dance to so many northern soul classics that we did at the Howard Mallett Club??
Here is a picture that was kindly sent to me by local DJ and super Geezer extaordinaire
"TONY WAROT" it is a photo
of an emidisc cutting machine similar to the one that Derek had at
Kettering. this one was owned by Tony Warot. Click on photo for a closer look This machine was made in the UK by M.S.S. Recorders Ltd. |
Getting acquainted
| Well I learned of Tony's escapades to
kettering to cut these emi-discs and one day with me not being one to
miss out on anything, I asked if I could go along with him just
for something to do, he agreed and one Saturday, myself and my
mate "Andy" went along. It took about an
hour to get to Kettering and on the way I noticed we passed a little
village called "Ellington" I always remember that little place
because that was about the time when the Ellingtons - Destined to become
a loser " was getting big at the nighters. Anyway we arrived
at a little grubby electrical shop in a little old terraced street which
I think was "Number 13 Regent Street" If I remember
correctly. and which was supposed to be the office to the Beck studios
in Wellingborough.
We went in to the sound of a little bell ringing our entry to the shop, shortly after a rather tall but gaunt and Grey faced middle aged man appeared through a door behind the counter which I was later to find out was the recording area/Studio. He was ill looking and very quiet, Tony asked if it was still ok to cut the discs to which he replied "yes come on through" You see; before going to the shop in Kettering, you had to really ring the guy up to ask if it was OK to book a convenient time, and I think he might have been a bit paranoid about getting caught cos it wasn't really allowed. We were introduced to him by Tony as a "Derek"; I think if I remember rightly he had the same surname as me which was quite unusual anyway, the man was bound to remember me if I was to phone him to ask if I could go there on my own to cut records, we obviously exchanged a few words about our name being the same but came to the conclusion we were probably not related. the machine We went on through into the little back room and the first thing I noticed was the huge reel to reel recorder high up on the top shelf which will become relevant to the story later on. The room was dingy with loads of sound equipment all over the place fitted onto every available shelf space in there, there was ashtrays and empty tea cups and I could see a small kitchenette through another door which his wife often use to pop her head round to occasionally offer us tea or coffee. I was absolutely astounded to see how this fantastic piece of equipment that was taking up nearly all the extensive shelf space on the left hand wall of this little room worked, All he did was to place the record to be copied on a turntable and then place a rather lovely smooth and clean acetate disc onto the other turntable under this huge weird shaped machine head thing which had a tiny cutting needle at the bottom of it. the needle was lowered onto the acetate and when activated proceeded to cut a tiny fine piece of plastic from the acetate as it spun round slowly. This was a sight that had to be seen to be believed, and upon completion, the guy removed this tiny slither of plastic to the bin and loaded the record onto a record player and hey presto; the damn thing played. he then reached into a little box and produced a red or white label, he peeled off the back and stuck it onto the disc, handing it to Tony to write down the track name and title on it . Continued lower down the page |
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Here is just some of the emi-discs which "believe it or not" I still have, probably due to the fact that no decent collector would buy them I suppose. They are really unplayable now due to the age and amount of plays they received, well they were top sounds at the time.
Note below that I used to even try to disguise them with false copies of the original labels, god knows why cos it never fooled anyone eh!
The copy of "Rain's out of my mind" was covered up as "I'm coming home by Joan Moodey" I think a one off at that time. but the best one I had at that time was without a doubt, the copy of "The Twans - I can't see him again" which I think was a one off on the Dade label. Maurice Williams - being without you" again was also much coveted at that time. |
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The sting Well Tony used to let me and Andy cut an emidisc or two while we were there with him but usually only ones that he had, they were about £2.50 each to cut if I remember rightly which was a lot of money those days, but I could sell them on for a fiver easily, Which we did but as always I was never satisfied with that. Well this was the great thing I discovered at the time and it might be a little complicated to understand so pay attention. this bloke who cut these emidiscs used to also cut them for other top DJ's who had rare some one off copies of the actual record, but as you know some records do not play so clearly and most emidiscs were cut from other emidiscs therefore reproducing bad acetates, clear so far? well remember I mentioned the reel to reel ? So because of this recording from emi to emi producing bad copies, Derek [I think that was his name?] used to record the original records onto the reel to reel tapes when he got the chance without the DJ's that had the disc even knowing he was doing it, he said he did it for the sake of clear recordings so people didn't think he produced bad copies thus giving himself potentially a bad name. He said he would only use these reel to reel recordings to cut us an emi if we had a copy of the record or on an emi of it already, This was only to be fair to the original owners of the disc. well I believed him and loved him for it because it gave me a great idea! The first thing I did when he wasn't looking was to nick a hand full of labels, these were to be taken home, stuck to old existing emidiscs that were useless or copies of records that were released on singles already. After taking note of the tracks he had on the reel to reel and also knowing that certain top DJ's had just visited him, I then would proceed to write the names of the tracks I wanted on the labels which of course were not actually on the disc. then I rang Derek up one weekday and asked him if he remembered me from the previous week when I was there with Tony and he did, I then cheekily asked him if I could come along that next Saturday to cut some emidiscs on my own, well surprisingly enough he agreed. We arrived at the little shop and he welcomed us in and we went in to the back room as before, I started by asking him to cut an emi of a record that was quite easy to get hold of anywhere on acetate and he told me he had a reel to reel copy of it, I can't remember which one it was. It then came to one of the discs I didn't have really but desperately wanted at the time, "Being without you - Maurice Williams" Well those of you who know who was the only bloke to have a copy of it at that time will know who it was that visited him recently and hopefully he had recorded it [secretly] reel to reel as "the DJ" was cutting emidiscs of it for other DJ's only; not for any old Soulies like me. I told Derek I had it and wanted a couple of copies of it, I watched him look at the label and nervously asked him if he had it on reel to reel as my recording was not too good. I was frightened to death he would say no but he did record it and I'm sure I was about to fall over as my legs were jelly. Well watching him put that onto an emidisc for me was an awesome sight, not many ordinary people like me had a copy of that to play at home and I had two. I had cracked it; and from then on I managed to get hold of some top stuff like "J D Martin - By yourself" " Ellingtons - Destined to become a loser" and of course my beloved "Twans - I can't see him again" and even eventually got hold of EP's [records with 4 tracks on, 2 each side] and LP's even of which I used to sell and make a tidy old sum. When the people concerned read this I am going to get some stick, but all I can say is.........................................."It was 25 years ago fella's"
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Above are copies of ; Send him back - The Pointer Sisters" "Panic - Reperata and the Delrons" "Are you angry - The Servicemen" and By Yourself - J D Martin" Note the Artwork. I used to also cut the odd LP but these took a long time to cut, people did not often order them also because they were far too expensive. I remember also doing an emi-disc of a record that I recorded at an all nighter on a little tape cassette recorder that was strategically placed in front of a speaker at Cleethorpes pier, It was "Send him back - Pointer sisters" with "Learning to trust my man - Sisters Love" on the "B" side. it came out so crap that I eventually melted it into an ashtray.
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Epilogue
Well I would like to think that Derek is still with us? I recently e-mailed the Beck studios in Wellingborough which is still there to ask if he was still around but I got no reply from them. I still see Tony quite a lot as he is still regularly DJing locally and I'm sure has not seen this page yet. My mate Andy is now living in Amsterdam I am told "I wonder why?"
I recently got an E-mail from Beck Studios who stumbled onto my site and I am delighted to say that they have informed me that Derek is alive and well and living in Barton Seagrave near Kettering. Also I have obtained a number to call him with his kind permission.
E-mail from Beck Studios;
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